They first performed together as a duo in 1965 and formed the jazz-oriented Richard Carpenter Trio followed by the middle-of-the-road group Spectrum. Richard took piano lessons as a child, progressing to California State University, Long Beach, while Karen learned the drums. The siblings were born in New Haven, Connecticut, and moved to Downey, California, in 1963. During their 14-year career, the Carpenters recorded ten albums, along with numerous singles and several television specials. The Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter. They produced a distinct soft musical style, combining Karen's contralto vocals with Richard's arranging and composition skills. Producer – Matt Wallace (tracks: 6, 7, 9, 12, 13).Executive-Producer – David Konjoyan, Matt Wallace.Engineer – Paul duGre* (tracks: 7, 12, 13).We've Only Just Begun Engineer – Jeff Robinson, Producer – Paul Kimble Let Me Be The One Backing Vocals, Electric Piano – Richard Carpenter, Bass – Tony Marsico, Drums – Ron Pangborn, Engineer – John Paterno, Guitar – Greg Leisz, Keyboards – Glen Hardin, Violin – Byron Berlineīless The Beasts And Children Engineer – Kevin Army Rainy Days And Mondays Engineer – John Morand, Rich Hasal, Producer – David Lowery Yesterday Once More Engineer – Clif NorrellĬalling Occupants Of Interplanetary Craft Producer – Tim Mac Hurting Each Other Engineer – Alex Gordon, Producer – Chichinitza Kahlo-Rivera Solitaire Bass – David Seaton, Engineer – Liz Sroka, Tony Phillips, Guitar – Jeff Trott, Matt Wallace, Keyboards – Jebin Bruni It's Going To Take Some Time Engineer – Clif Norrell (They Long To Be) Close To You Producer – Stephen Streetįor All We Know Producer – Frans Hagenaars Top Of The World Engineer – Noriya Maekawa, Wataru Sakamoto, Producer – Page Porrazzo Reflecting on their career, Moore said the thing about those cheap thrift-store guitars is that they usually didn’t sound good in regular tunings anyway, at least until you shoved a drumstick under the strings.Goodbye To Love Co-producer – Joe Chiccarelli, Engineer – Tracy Chisolm No matter how far out their music got (Goodbye 20th Century), it never felt academic, a feat that brought experimental music down to earth and made rock seem more plausible and limitless than any artist since Jimi Hendrix. They could be brutal, but they could also be pretty-a deference to tradition that, ironically, only made them seem more radical: What could be more confrontational to an art snob than a guitar anthem (“Teen Age Riot”)? And while their gender equanimity was inspiring (they had two frontpeople, Moore and his former wife, Kim Gordon), the real progress lay in how they played with it: Moore sounding sensitive and ethereal, Gordon roaring like a nightmare truckdriver Moore, the head, Gordon, the body. No other band presided over so many developments in underground music: the evolution of punk and No Wave into what we now call “indie“ (the mid-to-late ‘80s run of Evol, Sister, and Daydream Nation), the alt-rock and grunge boom of the years that followed (1990’s Goo and 1992’s Dirty), the retreat into experiments (the SYR series) and final maturation into something like classic rock for ears weaned on noise (2006’s Rather Ripped and 2009’s The Eternal). There’s a moment on an old Sonic Youth live recording where, seeing that Thurston Moore is having trouble getting his guitar into its proper, highly unconventional tuning, Lee Ranaldo says, “We promise a new tuning every night, ladies and gentlemen!” It’s a throwaway line, but there’s poetry to it: Where else, in 1987, could you see a group of ostensibly avant-garde artists not only addressing the crowd, but making fun of their own avant-garde art while doing it? For 30 years, the band shaped the outer limits of sound-noise, free improvisation, modern classical-into something like rock music, bridging the visionary impulses of experimental art with the naive zeal of punk.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |